“Disrupting the Dust,”  a collection of weavings and sculpture by Wendy Weiss opens First Friday, August 2, at WallSpace-LNK, 1624 S. 17^th St., Lincoln. The Professor Emerita taught textile design at the University of Nebraska from 1986-2014 and directed the Robert Hillestad Textiles Gallery. New work as well as large weavings and sculptures she made while a professor will be on display. The exhibition opens at 12 noon, with a reception featuring the artist from 5-8 p.m.

Viewers will encounter works that incorporate traditional, natural dyeing techniques into pieces that address historical and contemporary issues, as well as a large sculpture one can enter, with evocative screen printed images. As a Fulbright scholar in India, Weiss studied ikat, a method of dyeing threads bound with resists prior to setting up the loom to weave. This method requires careful planning to create specific patterns or imagery. Weiss’s woven-in words encourage viewers to expand their understanding of what weavings convey.

Throughout the exhibit’s run, gallery visitors are invited to create their own weavings on portable laser-cut looms Weiss made at Nebraska Innovation Studio. This impromptu “walk-in weaving” instruction is available Fridays-Sundays 12-5 p.m., August 2-31. On Saturdays August 24 and 31, special guests from ECHO Collective will assist visitors from 12:30-2:30 p.m. Would-be weavers are welcome to bring their own thread and linear material to use in their personal take-home weaving, but materials will be available on site, free of charge. Yarn donations of wool and cotton threads will be accepted at the gallery during open hours in August. What is not used will be contributed to ECHO’s weaving program: https://echocollectivene.org/textile-weaving-project  

“Disrupting the Dust” is available free of charge with support from the Nebraska Arts Council and the Nebraska Cultural Endowment. Regular gallery hours: Friday-Sunday, 12- 5p.m. August 2-31, and til 8 on First Friday. or by appointment (402-810-4890). More information on Facebook or Instagram.

“Grandmother Cottonwood and Her Clan” is July’s offering at WallSpace-LNK. Digital color photographs taken over one year will introduce you to this very large, very old cottonwood tree and her relatives and their home at Nine Mile Prairie northwest of Lincoln. 

Photographer Michael Farrell has made images of the Grandmother and other cottonwoods over several decades. The Nebraska State Tree, the cottonwood may live between 70 and 100 years, not unlike the humans who admire them. He notes, “time takes its toll on these trees. Wind breaks off limbs. Insects infest. Age wins and trees die because it is their time. Fungus and mushrooms grow on the remains. Here on the Nine Mile Prairie they have been allowed to begin, live and end their lives as Nature intends. We should all be so lucky.”

Farrell made this particular work in conjunction with the Platte Basin Timelapse Project that Michael cofounded in 2011. Most recently he has been working with a modern version of twin lens stereo photography that uses a stereopticon viewer to mimic human depth perception. Some stereo images are included with more conventional color views. 

“These groves are families. And they are like family to me,” he concludes. Become acquainted with this clan during regular gallery hours Friday-Sunday, 12- 5p.m. July 5-July 28, til 8 on First Friday, or by appointment (text to 402-450-9834).

Sometimes an overlooked or understated object can take on important symbolic and emotional meaning, both personal and universal. Artist Michael Farrell captures these “significant details” in an exhibition of color drawings and black and white photographs opening on First Friday,  June 7 at WallSpace-LNK, 1624 S. 17^th, Lincoln.  

“Small Gestures” explores why out of all the stuff we encounter day by day, some certain things take on important symbolic significance. Something we’ve kept since childhood, an item that belonged to a departed friend or relative, something found on a hike and brought back from nature. Mementoes. Relics. Talismans.

Highly detailed renderings in color conte crayon of things like a pair of wax candy lips or a child’s well-worn rubber toy car elevate these items beyond the ordinary. Equally well seen and executed gelatin silver large format photographs of evocative objects such as a baby shoe or a bird skull encourage the viewer to make meaning from small things.

“Back in Otoe County,” a collaboration by photographer Michael Farrell and former State Poet Twyla Hansen is on display May 3 – May 26.  This exhibition features 26 previously unseen images as well as a dozen of Twyla’s poems printed on high quality paper paired with small versions of the images that inspired them.

Michael Farrell’s large-format black and white landscape photographs capture scenes in rural Otoe County, many along minimum maintenance dirt roads. Twyla Hansen’s poems were inspired by the same scenes. They offer a clear-eyed assessment that stems from her rural roots and her studies and employment in organic farming certification. 

A new third edition of the previously sold-out book of 61 photographs and 30 poems “Seen in Otoe County,” will be available for sale. This signed and numbered edition includes a brief introductory essay and notes by the collaborators. Don’t wait to get your copy. This book will become a collector’s item once these have sold.

While the pictures and words depict Otoe County, Nebraska, they reflect realities in many of our nation’s rural areas. The issues and circumstances here in the heart of the heartland are found throughout farming America.

Celebrate the heritage of the Surrealist artistic movement with a new exhibit.

“Invoking American Spirits,” marks the centennial of Dada & Surrealism with a series of assembled objects exploring “the realms of dreams, fantasies, and the irrational.”

French poet/philosopher Andre Breton published the Surrealist Manifesto in 1924, embracing “the creative potential of the unconscious mind.” Surrealists welcomed using chance and unlikely juxtapositions as a method to shock the mind and senses.

Lincoln artist Michael Farrell has been making work inspired by this tradition for more than half a century, but this new work was made in a “fever of activity following a spate of vivid dreams and chance encounters with the materials of their making.”

The works invoke the spirits of American ancestors, both famous and anonymous. “I want to call down a feeling of empathy for the inevitability of the fate that awaits us all. April brings forth new life for those of us who share the stage of this particular moment, but not for all those who lie beneath the greening grass.”

Seeking historic and found photographs, antique objects, tools and items from nature Farrell has assembled contemporary surreal reliquaries, tabernacles, shrines and stelae reminiscent of ancient funerary and religious icons.

See and hear more about these remarkable objects 12-5  p.m. Fridays, Saturdays and Sundays April 5-28 and at the First Friday reception from 5-8  p.m. April 5. Viewing and sales also available by appointment; text to 402-429-3684